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Some of the most painful-to-watch parts of the documentary are the stories of women who have, unwittingly, been caught up in this battle, particularly the women who found themselves jailed on child-abuse charges after drug tests were administered in the hospital without their knowledge or consent.
The filmmakers interviewed one woman who found herself in that predicament after taking half a Valium while pregnant during a panic attack, and another who smoked marijuana to manage her epilepsy.
And if you’re in a low-income job without benefits or sick pay—well, sorry.
(It’s also worth mentioning here that women of color account for more than half of women of reproductive age enrolled in Medicaid.) If you are a well-to-do woman in a blue state, it might be easy to read this and think: I’m safe.
It's important to understand that this is not just some faraway truth in Latin America. S., the bundle of restrictions that have been heaped on states as part of the conservative movement’s incrementalist strategy target poor women with cruel precision.
Perhaps it is fitting, then, that the filmmakers' inspiration for the documentary came out of the Supreme Court’s 2014 Hobby Lobby decision, which permitted companies to opt out of providing contraceptive coverage for their employees if they had religious objections. Given the filmmakers' chosen focus, it's easier to understand how and why the documentary begins where it does: with the story of a woman, Danielle, who never had an abortion but somehow found herself caught in the crossfire.
Instead, they wanted to eschew the bilateral pro/antiabortion framing that guides much of women's health coverage, and focus on the ways the antiabortion movement has mutated to cover ground including sexual education and contraception.
But as Tamarkin and Fisher would say, the real story is so much bigger than that. The filmmakers were clear on one thing: They had no interest in telling a story about abortion, which they felt had been thoroughly covered.
women are caught up in an antiabortion fight that stretches back decades, and the Telling a story like that presents its own challenges—namely, picking from what seems like an endless possibility of narrative strands to illustrate the state of affairs for American women of reproductive age.